32. Attack! [1931]

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32. Attack! [1931]

Oscar Han

1891, Bucureşti - 1976, Bucureşti

Estimate:

EUR 3.000 - 5.000

Sold

EUR 3.250

References

MIHALACHE, Marin, "Oscar Han", Meridiane Publishing House, Bucharest, 1985 PĂULEANU, Doina, "Oscar Han, an artist and his time", Official Monitor, Bucharest, 2020

bronze, 24.5 x 35.5 x 20 cm, signed and dated right, on the base, "O. Han, 1931"

Research information

A version of the work is reproduced in "Oscar Han", Marin Mihalache, Meridiane Publishing, 1985, page 36.

Oscar Han occupies a distinct place in interwar Romanian sculpture, being one of the artists who understood form not only as an aesthetic exercise, but as a mean of exploring human depth. Anchored in Romanian modernism, his creation remains deeply anchored in reality and in the direct living of his time. Oscar Han's sculpture stands out for its particular concern with the psychology of his characters and the approach to themes such as love, war, faith. Preoccupied with human physiognomy, he makes sculptures that depict simple figures, as well as busts of important personalities such as Mihai Eminescu, Sophocles, or Dante. Both in portraits or busts, and in compositions with characters, the artist uses a realistic repertoire molded into vigorous and expressive volumes. His style is notable for the rigor of form construction, clear volumetrics, expressive force, and the transmission of emotion through attitude and expression. The theme of war occupies an essential place in the artist's creation, and the strength of these works stems from his personal experience. The artist directly experienced the reality of the First World War, a moment that marked him deeply and gives authenticity to his representations. Sculptures such as "Wounded Soldier", "At the Report" or "Digging the Individual Pit" do not idealize heroism, but capture the drama, fatigue, suffering, and gravity of the moment. Cezar Petrescu noticed about these works that "they talk about the authentic war more than the monuments that at the same time defile our public squares and the memory of the soldiers who fought and died differently than in operetta attitudes". In Oscar Han's vision, war is not a spectacle, but a tragic fate and moral test. In the representation made by Oscar Han, the emphasis falls on the moral dimension of the character. Thus, he represents the authentic hero as a moral figure: an ordinary man who became a benchmark through the extreme circumstances of the time and the price paid for them. Through this work, the artist constructs a plastic meditation on sacrifice and on humanity tested by war.

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