8. Andrei Cădere in front of Ebony Gallery, December 11, 1976

The photos of the lot are informative and indicative, and cannot provide a highly detailed view of the object from all angles. We recommend a careful physical inspection of the lot before bidding.

Brought to you by

Mihai Boulescu

Head of Religious Art Evaluation Office

0757 116 742 [email protected]

8. Andrei Cădere in front of Ebony Gallery, December 11, 1976

Gianfranco Gorgoni

1941, Roma - 2019

Starting price:

EUR 150

Not sold

digital print, 25.5 x 20 cm, 25.5 Ã 20 cm, made in 1976, printed in 2015; copy 85/ 100

Research information

The artwork is accompanied by a certificate of authenticity from the artist, signed and numbered "Gorgoni, 85/ 100".

Andrei Cădere arrived in Paris in 1967, at the same time as the first minimalist and conceptualist exhibitions. Daniel Buren, Olivier Mosset, Michael Parmentier and Niele Toroni were just starting to promote the B.M.P.T. acronym. In 1970, Cădere took the decisive step towards breaking dogmas and conventions, turning his creation into a perpetual performance. The artist began with a strategy of "parasitism" of the institutional art system, displaying his unmistakable wooden bar at openings and meetings to which he was not invited, and then established himself as a well-known figure on the art circuit. The current photo, taken by Gianfranco Gorgoni, captures a moment of the 1976 performance, somewhere between 1pm and 5:30pm. The space was bounded by Houston and Canal St., where there were many shops, galleries and other commercial outlets. Every 30 minutes, the display point of the work changed and was indicated by a number, which corresponded to the street number where a commercial point was located. The message suggested was that any of the spaces visited, whether it was a grocery store, art gallery or clothing store, was perfect for displaying a piece of art, as it was not dependent on any privileged wall or space.

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