Roxana Scripcaru
Head of the Romanian Postmodern & Contemporary Art Evaluation Office
The photos of the lot are informative and indicative, and cannot provide a highly detailed view of the object from all angles. We recommend a careful physical inspection of the lot before bidding.
The photos of the lot are informative and indicative, and cannot provide a highly detailed view of the object from all angles. We recommend a careful physical inspection of the lot before bidding.
26. Harlequin Singing [1990]
1929, Botoşani - 2003, Bucureşti
Estimate
Pretul de pornire si cel estimat nu sunt preturi de vanzare efective
EUR 4.000 - 6.000
Sold
Pretul de pornire si cel estimat nu sunt preturi de vanzare efective
EUR 7.500
Session
Tue, 12 April 2022 19:00
Brought to you by
A student of the "Nicolae Grigorescu" Plastic Arts Institute of Bucharest (1949-1955), along with Ion Nicodim, Traian Brădean, Aurel Nedel, Marius Cilevici or Sabin Bălașa, the artist Piliuță will make his debut in 1956, at the Interregional Exhibition in Bucharest. Starting with this event, the artist is ever-present in the exhibitions held in the Capital city, as well as in personal exhibitions, organized on a regular basis in the country and abroad. In the area of easel painting, one of his many pursuits, the artist stands out with a rich repertoire - from still lives to landscapes, nudes, flowers or compositions with characters and animals - reflecting, one at a time, stylized realities, outlined in the realm of an equivocal figurative. He has a penchant for the casual, for the common place look of things, for natural gestures and attitudes, searching for the spontaneous lyrical vibration, which he essentializes using a parsimony of means, aiming to suggest. Performing in the real domain, the artist will be venturesome as regards the concerns of his age, using the workmanship as a means of connecting the viewer and the tumultuous contemporary events. Starting with the 50's, we may notice a prominent presence of the genre scenes illustrating social aspects of the rural life in his creation. Crossed by a veridical realism, irony and sober attitudes, the scenes will acquire anecdotical features. Motives such as the bodega, the barrelhouse, the wedding, the fiddlers or singers become, starting with this period, favourite subjects of the genre scenes. (G.M.)
References
MARINA, Ion, "Constantin Piliuță", Meridiane Publishing House, Bucharest, 1969. GROZDEA, Mircea, "Constantin Piliuță", Meridiane Publishing House, Bucharest, 1980.
Dimensions
width 65 cm, height 65 cm, custom 65 Ã 65 cm
Description
oil on canvas, signed and dated bottom right, with black, "C. Piliuță, (19)90"
Dating
1990
ADDITIONAL INFORMATION
For clarifications regarding the bidding procedure, hammer price costs, guarantee, payment, and collection terms for the winning lot, we recommend carefully reading/re-reading the Bidding Regulations.
For additional information regarding the lot and the auction, please contact the Art Consultants Department.
Detalii
A student of the "Nicolae Grigorescu" Plastic Arts Institute of Bucharest (1949-1955), along with Ion Nicodim, Traian Brădean, Aurel Nedel, Marius Cilevici or Sabin Bălașa, the artist Piliuță will make his debut in 1956, at the Interregional Exhibition in Bucharest. Starting with this event, the artist is ever-present in the exhibitions held in the Capital city, as well as in personal exhibitions, organized on a regular basis in the country and abroad. In the area of easel painting, one of his many pursuits, the artist stands out with a rich repertoire - from still lives to landscapes, nudes, flowers or compositions with characters and animals - reflecting, one at a time, stylized realities, outlined in the realm of an equivocal figurative. He has a penchant for the casual, for the common place look of things, for natural gestures and attitudes, searching for the spontaneous lyrical vibration, which he essentializes using a parsimony of means, aiming to suggest. Performing in the real domain, the artist will be venturesome as regards the concerns of his age, using the workmanship as a means of connecting the viewer and the tumultuous contemporary events. Starting with the 50's, we may notice a prominent presence of the genre scenes illustrating social aspects of the rural life in his creation. Crossed by a veridical realism, irony and sober attitudes, the scenes will acquire anecdotical features. Motives such as the bodega, the barrelhouse, the wedding, the fiddlers or singers become, starting with this period, favourite subjects of the genre scenes. (G.M.)
ADDITIONAL INFORMATION
For clarifications regarding the bidding procedure, hammer price costs, guarantee, payment, and collection terms for the winning lot, we recommend carefully reading/re-reading the Bidding Regulations.
For additional information regarding the lot and the auction, please contact the Art Consultants Department.
References
MARINA, Ion, "Constantin Piliuță", Meridiane Publishing House, Bucharest, 1969. GROZDEA, Mircea, "Constantin Piliuță", Meridiane Publishing House, Bucharest, 1980.
Dimensions
width 65 cm, height 65 cm, custom 65 Ã 65 cm
Description
oil on canvas, signed and dated bottom right, with black, "C. Piliuță, (19)90"
Dating
1990
Brought to you by
Roxana Scripcaru
Head of the Romanian Postmodern & Contemporary Art Evaluation Office
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