Roxana Scripcaru
Head of the Romanian Postmodern & Contemporary Art Evaluation Office
The photos of the lot are informative and indicative, and cannot provide a highly detailed view of the object from all angles. We recommend a careful physical inspection of the lot before bidding.
The photos of the lot are informative and indicative, and cannot provide a highly detailed view of the object from all angles. We recommend a careful physical inspection of the lot before bidding.
9. Column [1999]
1938, Bucureşti - 2000, Paris
Estimate
Pretul de pornire si cel estimat nu sunt preturi de vanzare efective
EUR 8.000 - 15.000
Sold
Pretul de pornire si cel estimat nu sunt preturi de vanzare efective
EUR 20.000
Session
Thu, 31 January 2019 19:30
Brought to you by
“For a long time, I believed that the deep honest motivation for my painting was the appearance (and then) tracking of some particular shapes. Let’s call them archetypal shapes: hill, flag, and column. They actually “appeared” and followed me like some sort of obsession, over and over again. I would say that I was interested in shapes displaying a particular axiality, which has led me to the Column, somehow naturally. The type of thing, connected to a clear geometrical shape, suits me, I can express myself...it gives me enough freedom to be able to stray from it.”
As the painter himself said, his Column is a recurring theme haunting some of his works by its white pure eternal presence, as a unique logo of him and his artistic intention: that of capturing the spiritual essence from the origins of tradition. Thus, the column rather turns into a concept.
The column is the bridge between spaces and levels, while connecting the mundane to the heavenly matters, the material solid things to the spiritual domain and the inherent floating. The tie is on a vertical and on a horizontal, with perspective deepens, in the middle of that crossing being that everlasting column. Equally, when watching the painting in a perspective and on a horizontal, one can see that the central piece, where the “outer” profane ephemeral mundane layer meets the “inner” sacral, spiritual and eternal layer, is the same white solid column.
The voluptuousness of the spectral color displays the ascetic character of the white hard stone column, as it would boldly withstand for eternity. The column seems to submerge in the color center, as it would have travelled through time, showing its present day image as coming from ancient times.
Dimensions
width 97.5 cm, height 130 cm, custom 97,5x130
Description
oil on canvas, signed and dated in the upper right corner, in brown, "Bernea, 3.(19)99"
Dating
1999
ADDITIONAL INFORMATION
For clarifications regarding the bidding procedure, hammer price costs, guarantee, payment, and collection terms for the winning lot, we recommend carefully reading/re-reading the Bidding Regulations.
For additional information regarding the lot and the auction, please contact the Art Consultants Department.
Detalii
“For a long time, I believed that the deep honest motivation for my painting was the appearance (and then) tracking of some particular shapes. Let’s call them archetypal shapes: hill, flag, and column. They actually “appeared” and followed me like some sort of obsession, over and over again. I would say that I was interested in shapes displaying a particular axiality, which has led me to the Column, somehow naturally. The type of thing, connected to a clear geometrical shape, suits me, I can express myself...it gives me enough freedom to be able to stray from it.”
As the painter himself said, his Column is a recurring theme haunting some of his works by its white pure eternal presence, as a unique logo of him and his artistic intention: that of capturing the spiritual essence from the origins of tradition. Thus, the column rather turns into a concept.
The column is the bridge between spaces and levels, while connecting the mundane to the heavenly matters, the material solid things to the spiritual domain and the inherent floating. The tie is on a vertical and on a horizontal, with perspective deepens, in the middle of that crossing being that everlasting column. Equally, when watching the painting in a perspective and on a horizontal, one can see that the central piece, where the “outer” profane ephemeral mundane layer meets the “inner” sacral, spiritual and eternal layer, is the same white solid column.
The voluptuousness of the spectral color displays the ascetic character of the white hard stone column, as it would boldly withstand for eternity. The column seems to submerge in the color center, as it would have travelled through time, showing its present day image as coming from ancient times.
ADDITIONAL INFORMATION
For clarifications regarding the bidding procedure, hammer price costs, guarantee, payment, and collection terms for the winning lot, we recommend carefully reading/re-reading the Bidding Regulations.
For additional information regarding the lot and the auction, please contact the Art Consultants Department.
Dimensions
width 97.5 cm, height 130 cm, custom 97,5x130
Description
oil on canvas, signed and dated in the upper right corner, in brown, "Bernea, 3.(19)99"
Dating
1999
Brought to you by
Roxana Scripcaru
Head of the Romanian Postmodern & Contemporary Art Evaluation Office
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