Roxana Scripcaru
Head of the Romanian Postmodern & Contemporary Art Evaluation Office
The photos of the lot are informative and indicative, and cannot provide a highly detailed view of the object from all angles. We recommend a careful physical inspection of the lot before bidding.
The photos of the lot are informative and indicative, and cannot provide a highly detailed view of the object from all angles. We recommend a careful physical inspection of the lot before bidding.
52. Revelation [1964]
1935, Jimbolia, Timiș - 2006, Philadelphia
Selling price
Pretul de pornire si cel estimat nu sunt preturi de vanzare efective
EUR 845
Session
Thu, 6 July 2023 19:30
Brought to you by
The transition from figurative to abstract art will happen on the background of Roman Cotoșman's trip to Paris in 1963. Returning to the country, he meets Ștefan Bertalan and Constantin Flondor, with whom he will lay the foundation of the "111" experimental group. This movement proposes a space dedicated to collective research, where the aim was to keep the individuality of each member. Cotoșman will begin to break the plastic sign and to integrate subtle allusions by chromatic games. He will extend over the surface of the canvas and will explore the area of kinetic art through various experiments (light projections made for the Little Theatre in Bucharest or the Jazz Club in Timisoara). The work will be profoundly marked by changes of nuances which interlock and penetrate the surface of the work. The artist will be preoccupied by the simplicity of the composition and the reducing of the plastic experience to just a few suggestions. He will constantly expose, under the auspices of a constructivist-experimental language and will explore an unknown terrain, a void in which he is forced to light his own way. The grammar of his visual style, with his bold accents that challenge abstract decoding, is intensified by the fragmented movements of colour and light. Roman Cotoșman's work reveals a personal system within which the artist's inner world is embedded. Theoretical developments in the scientific area, intended to enhance the meaning of his creations, are found particularly after 1964. The artist essentialises painting by taking aspects from cubism and Byzantine art and gives the viewer the role of an interpreter whose duty is to give his own meaning to the play of colours.
References
"Roman Cotosman – Diet Sayler. An Artist Friendship", Bucharest, 2015.
Dimensions
width 33 cm, height 24 cm
Description
watercolour on paper, signed and dated bottom right, in blue, "R.C., III. (19)64"
Dating
1964
ADDITIONAL INFORMATION
For clarifications regarding the bidding procedure, hammer price costs, guarantee, payment, and collection terms for the winning lot, we recommend carefully reading/re-reading the Bidding Regulations.
For additional information regarding the lot and the auction, please contact the Art Consultants Department.
Detalii
The transition from figurative to abstract art will happen on the background of Roman Cotoșman's trip to Paris in 1963. Returning to the country, he meets Ștefan Bertalan and Constantin Flondor, with whom he will lay the foundation of the "111" experimental group. This movement proposes a space dedicated to collective research, where the aim was to keep the individuality of each member. Cotoșman will begin to break the plastic sign and to integrate subtle allusions by chromatic games. He will extend over the surface of the canvas and will explore the area of kinetic art through various experiments (light projections made for the Little Theatre in Bucharest or the Jazz Club in Timisoara). The work will be profoundly marked by changes of nuances which interlock and penetrate the surface of the work. The artist will be preoccupied by the simplicity of the composition and the reducing of the plastic experience to just a few suggestions. He will constantly expose, under the auspices of a constructivist-experimental language and will explore an unknown terrain, a void in which he is forced to light his own way. The grammar of his visual style, with his bold accents that challenge abstract decoding, is intensified by the fragmented movements of colour and light. Roman Cotoșman's work reveals a personal system within which the artist's inner world is embedded. Theoretical developments in the scientific area, intended to enhance the meaning of his creations, are found particularly after 1964. The artist essentialises painting by taking aspects from cubism and Byzantine art and gives the viewer the role of an interpreter whose duty is to give his own meaning to the play of colours.
ADDITIONAL INFORMATION
For clarifications regarding the bidding procedure, hammer price costs, guarantee, payment, and collection terms for the winning lot, we recommend carefully reading/re-reading the Bidding Regulations.
For additional information regarding the lot and the auction, please contact the Art Consultants Department.
References
"Roman Cotosman – Diet Sayler. An Artist Friendship", Bucharest, 2015.
Dimensions
width 33 cm, height 24 cm
Description
watercolour on paper, signed and dated bottom right, in blue, "R.C., III. (19)64"
Dating
1964
Brought to you by
Roxana Scripcaru
Head of the Romanian Postmodern & Contemporary Art Evaluation Office
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