Roxana Scripcaru
Head of the Romanian Postmodern & Contemporary Art Evaluation Office
The photos of the lot are informative and indicative, and cannot provide a highly detailed view of the object from all angles. We recommend a careful physical inspection of the lot before bidding.
The photos of the lot are informative and indicative, and cannot provide a highly detailed view of the object from all angles. We recommend a careful physical inspection of the lot before bidding.
134. The Scholar
1954, Ploiești
Selling price
Pretul de pornire si cel estimat nu sunt preturi de vanzare efective
EUR 2.412
Session
Tue, 21 February 2023 19:00
Brought to you by
In 1988, Ștefan Râmniceanu opened at Curtea Veche, the exhibition "The Binding", his last great event before choosing the path of exile, but also a tribute to the personality of Constantin Brâncoveanu, founder and man of letters, political figure. In 2014, on the occasion of the 300th anniversary of the martyrdom of the Brâncoveanu family, Ștefan Râmniceanu returned to the Romanian art scene with his retrospective exhibition at Mogoșoaia Palace, "Traces". The works, belonging to different cycles, series entitled "The Binding", "Manuscript", "The Shirt of the Walls", "Bookmakers", "Apostles of Clay", "The Pillar", "Idols", "Centaurs", "Golden Nights", "The Universal Man", "Letters from the Islands", highlight the artist's predilection for the neo-Byzantine direction, which began in the 1980s. Through the chosen symbolic image, the vision of Ştefan Râmniceanu imposes the image of the bookman, the visionary prince, the exceptional founder who was Constantin Basarab Brâncoveanu. The placement of his creation in the current social and political context entails a beginning of hope on journey of restoration, spiritual redemption of today’s Romania, a free European country, yet a country that is still ailing.
Dimensions
width 90 cm, height 257 cm, custom 257 Ã 90 cm
Description
oil on canvas, signed and dated on the reverse, with black, "Ștefan Râmniceanu, Cărturarul"
ADDITIONAL INFORMATION
For clarifications regarding the bidding procedure, hammer price costs, guarantee, payment, and collection terms for the winning lot, we recommend carefully reading/re-reading the Bidding Regulations.
For additional information regarding the lot and the auction, please contact the Art Consultants Department.
Detalii
In 1988, Ștefan Râmniceanu opened at Curtea Veche, the exhibition "The Binding", his last great event before choosing the path of exile, but also a tribute to the personality of Constantin Brâncoveanu, founder and man of letters, political figure. In 2014, on the occasion of the 300th anniversary of the martyrdom of the Brâncoveanu family, Ștefan Râmniceanu returned to the Romanian art scene with his retrospective exhibition at Mogoșoaia Palace, "Traces". The works, belonging to different cycles, series entitled "The Binding", "Manuscript", "The Shirt of the Walls", "Bookmakers", "Apostles of Clay", "The Pillar", "Idols", "Centaurs", "Golden Nights", "The Universal Man", "Letters from the Islands", highlight the artist's predilection for the neo-Byzantine direction, which began in the 1980s. Through the chosen symbolic image, the vision of Ştefan Râmniceanu imposes the image of the bookman, the visionary prince, the exceptional founder who was Constantin Basarab Brâncoveanu. The placement of his creation in the current social and political context entails a beginning of hope on journey of restoration, spiritual redemption of today’s Romania, a free European country, yet a country that is still ailing.
ADDITIONAL INFORMATION
For clarifications regarding the bidding procedure, hammer price costs, guarantee, payment, and collection terms for the winning lot, we recommend carefully reading/re-reading the Bidding Regulations.
For additional information regarding the lot and the auction, please contact the Art Consultants Department.
Dimensions
width 90 cm, height 257 cm, custom 257 Ã 90 cm
Description
oil on canvas, signed and dated on the reverse, with black, "Ștefan Râmniceanu, Cărturarul"
Brought to you by
Roxana Scripcaru
Head of the Romanian Postmodern & Contemporary Art Evaluation Office
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