43. The Minotaur
Selling price
EUR 3.015
Session
Tue, 21 May 2024 19:00
Dimensions
depth 10 cm, width 15 cm, height 28 cm
Description
bronz, signed at the base, "Dali"
Research information
One of the most represented mythological creatures in the history of art, the minotaur reappears repeatedly in Salvador Dali's work. The minotaur encompasses themes such as duality, power or the awakening of the subconscious, being confined within the limits of the labyrinth and submitting to the suppression of primal instincts. In 1936, Dali works on the cover of the surrealist magazine "Minotaur", published in Paris. He will then revisit the motif and propose an anthropomorphic figure, which poses like a model and which has attached, as in other works of the artist, some drawers. Symbols such as ephemerality or voidness are again brought to the viewers' attention.
ADDITIONAL INFORMATION
For clarifications regarding the bidding procedure, hammer price costs, guarantee, payment, and collection terms for the winning lot, we recommend carefully reading/re-reading the Bidding Regulations.
For additional information regarding the lot and the auction, please contact the Art Consultants Department.
Detalii
ADDITIONAL INFORMATION
For clarifications regarding the bidding procedure, hammer price costs, guarantee, payment, and collection terms for the winning lot, we recommend carefully reading/re-reading the Bidding Regulations.
For additional information regarding the lot and the auction, please contact the Art Consultants Department.
Dimensions
depth 10 cm, width 15 cm, height 28 cm
Description
bronz, signed at the base, "Dali"
Research information
One of the most represented mythological creatures in the history of art, the minotaur reappears repeatedly in Salvador Dali's work. The minotaur encompasses themes such as duality, power or the awakening of the subconscious, being confined within the limits of the labyrinth and submitting to the suppression of primal instincts. In 1936, Dali works on the cover of the surrealist magazine "Minotaur", published in Paris. He will then revisit the motif and propose an anthropomorphic figure, which poses like a model and which has attached, as in other works of the artist, some drawers. Symbols such as ephemerality or voidness are again brought to the viewers' attention.