Roxana Scripcaru
Head of the Romanian Postmodern & Contemporary Art Evaluation Office
The photos of the lot are informative and indicative, and cannot provide a highly detailed view of the object from all angles. We recommend a careful physical inspection of the lot before bidding.
The photos of the lot are informative and indicative, and cannot provide a highly detailed view of the object from all angles. We recommend a careful physical inspection of the lot before bidding.
22. La femme à la chandelle
1951, Vânjuleț
Estimate
Pretul de pornire si cel estimat nu sunt preturi de vanzare efective
EUR 3.000 - 5.000
Sold
Pretul de pornire si cel estimat nu sunt preturi de vanzare efective
EUR 8.500
Session
Thu, 25 May 2023 19:00
Brought to you by
During his university studies, Georges Mazilu would pay particular attention to drawing. It was also during that time that he would make several pictorial experiments, until he would stop at the abstract world. The origin of the compositions he conceived after graduation is rooted in the abstract signs of his plastic genesis. In his creation, the artist makes particular recourse to the subconscious, consistently ignoring logical interferences. Mazilu compresses the human silhouette to the point of abstraction and focuses on his characters' face, which he considers to be one of the most expressive body parts, alongside hands and feet. We can notice that, in many of his works, the facial features assigned to his main characters are very expressive. The nose is often very poignant and eloquently executed. The entire composition gravitates around the characters, who are never reproductions of existing human beings, but instead they are constructions sketched in detail, starting from the artist's imagination. Space and atmosphere make their apparition at the end, in close accordance with the partially humanised puppet-characters. Mazilu becomes a virtuoso of the aesthetics of ugliness, accomplishing true pictorial metaphors of the fantastic. The world in his canvases is often a utopia, receiving the traits of an imaginary land and of a reality which is completely opposite to the known. The artist builds his works' story while he paints. He becomes a master of puppets in a puppet theatre, concentrating his plastic discourse, which bears an astounding expressive strength, around compositional chimeras.
References
"Mazilu. Hybrid Faces", Tribuna Publishing House, Cluj-Napoca, 2020.
Dimensions
width 54 cm, height 65 cm, custom 65 Ã 54 cm
Description
acrylic on canvas, signed bottom right, in blue, "Mazilu"
ADDITIONAL INFORMATION
For clarifications regarding the bidding procedure, hammer price costs, guarantee, payment, and collection terms for the winning lot, we recommend carefully reading/re-reading the Bidding Regulations.
For additional information regarding the lot and the auction, please contact the Art Consultants Department.
Detalii
During his university studies, Georges Mazilu would pay particular attention to drawing. It was also during that time that he would make several pictorial experiments, until he would stop at the abstract world. The origin of the compositions he conceived after graduation is rooted in the abstract signs of his plastic genesis. In his creation, the artist makes particular recourse to the subconscious, consistently ignoring logical interferences. Mazilu compresses the human silhouette to the point of abstraction and focuses on his characters' face, which he considers to be one of the most expressive body parts, alongside hands and feet. We can notice that, in many of his works, the facial features assigned to his main characters are very expressive. The nose is often very poignant and eloquently executed. The entire composition gravitates around the characters, who are never reproductions of existing human beings, but instead they are constructions sketched in detail, starting from the artist's imagination. Space and atmosphere make their apparition at the end, in close accordance with the partially humanised puppet-characters. Mazilu becomes a virtuoso of the aesthetics of ugliness, accomplishing true pictorial metaphors of the fantastic. The world in his canvases is often a utopia, receiving the traits of an imaginary land and of a reality which is completely opposite to the known. The artist builds his works' story while he paints. He becomes a master of puppets in a puppet theatre, concentrating his plastic discourse, which bears an astounding expressive strength, around compositional chimeras.
ADDITIONAL INFORMATION
For clarifications regarding the bidding procedure, hammer price costs, guarantee, payment, and collection terms for the winning lot, we recommend carefully reading/re-reading the Bidding Regulations.
For additional information regarding the lot and the auction, please contact the Art Consultants Department.
References
"Mazilu. Hybrid Faces", Tribuna Publishing House, Cluj-Napoca, 2020.
Dimensions
width 54 cm, height 65 cm, custom 65 Ã 54 cm
Description
acrylic on canvas, signed bottom right, in blue, "Mazilu"
Brought to you by
Roxana Scripcaru
Head of the Romanian Postmodern & Contemporary Art Evaluation Office
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