Roxana Scripcaru
Head of the Romanian Postmodern & Contemporary Art Evaluation Office
The photos of the lot are informative and indicative, and cannot provide a highly detailed view of the object from all angles. We recommend a careful physical inspection of the lot before bidding.
The photos of the lot are informative and indicative, and cannot provide a highly detailed view of the object from all angles. We recommend a careful physical inspection of the lot before bidding.
31. La colonne noire [1991]
1922, Bucureşti - 2012, Paris
Estimate
Pretul de pornire si cel estimat nu sunt preturi de vanzare efective
EUR 1.500 - 2.500
Sold
Pretul de pornire si cel estimat nu sunt preturi de vanzare efective
EUR 3.000
Session
Thu, 25 May 2023 19:00
Brought to you by
The prolific interpretation of great artists which Horia Damian accomplishes in his youth (Rembrandt, Velasquez, Delacroix) converge towards the thorough study which the artist dedicates to the works from the second part of his creation, in France. In Paris, the artist takes over some Mondrian's interests for geometrical themes and transposes them into his works. He creates true masterpieces of monumental art and, throughout his artistic career, he perfects both his pictorial and sculptural manner. In the series he dedicates to columns, Damian cancels the primordial role of the main subject, offering innovative rhythms to the matter on his canvases. The experiment becomes a lifestyle and appears as a leitmotif of the entire post-1946 work. Starting from his belief according to which "Art starts with the extraordinary idea that we will never die, and this is precisely why it adds passion to life", we find the key towards decoding his entire work and we acquire new ways of interpreting his abstract research.
References
Catalogue of the exhibition "Horia Damian", National Museum of Contemporary Art, September-October 2009. VARIA, Radu, "Horia Damian. Opere din muzeele și colecțiile românești, 1930-1946" ("Horia Damian. Works from Romanian museums and collections, 1930-1946"), Official Journal Publishing House, Bucharest, 2009.
Dimensions
width 100 cm, height 70 cm, custom 70 Ã 100 cm
Description
gouache, chalk and pencil on cardboard, signed, dated and named bottom left, with pencil, "Damian, La colonne, 1991"
Dating
1991
PROVENANCE
colecÈia Jean-Philippe Guilbert
ADDITIONAL INFORMATION
For clarifications regarding the bidding procedure, hammer price costs, guarantee, payment, and collection terms for the winning lot, we recommend carefully reading/re-reading the Bidding Regulations.
For additional information regarding the lot and the auction, please contact the Art Consultants Department.
Detalii
The prolific interpretation of great artists which Horia Damian accomplishes in his youth (Rembrandt, Velasquez, Delacroix) converge towards the thorough study which the artist dedicates to the works from the second part of his creation, in France. In Paris, the artist takes over some Mondrian's interests for geometrical themes and transposes them into his works. He creates true masterpieces of monumental art and, throughout his artistic career, he perfects both his pictorial and sculptural manner. In the series he dedicates to columns, Damian cancels the primordial role of the main subject, offering innovative rhythms to the matter on his canvases. The experiment becomes a lifestyle and appears as a leitmotif of the entire post-1946 work. Starting from his belief according to which "Art starts with the extraordinary idea that we will never die, and this is precisely why it adds passion to life", we find the key towards decoding his entire work and we acquire new ways of interpreting his abstract research.
ADDITIONAL INFORMATION
For clarifications regarding the bidding procedure, hammer price costs, guarantee, payment, and collection terms for the winning lot, we recommend carefully reading/re-reading the Bidding Regulations.
For additional information regarding the lot and the auction, please contact the Art Consultants Department.
References
Catalogue of the exhibition "Horia Damian", National Museum of Contemporary Art, September-October 2009. VARIA, Radu, "Horia Damian. Opere din muzeele și colecțiile românești, 1930-1946" ("Horia Damian. Works from Romanian museums and collections, 1930-1946"), Official Journal Publishing House, Bucharest, 2009.
Dimensions
width 100 cm, height 70 cm, custom 70 Ã 100 cm
Description
gouache, chalk and pencil on cardboard, signed, dated and named bottom left, with pencil, "Damian, La colonne, 1991"
Dating
1991
PROVENANCE
colecÈia Jean-Philippe Guilbert
Brought to you by
Roxana Scripcaru
Head of the Romanian Postmodern & Contemporary Art Evaluation Office
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