Roxana Scripcaru
Head of the Romanian Postmodern & Contemporary Art Evaluation Office
The photos of the lot are informative and indicative, and cannot provide a highly detailed view of the object from all angles. We recommend a careful physical inspection of the lot before bidding.
The photos of the lot are informative and indicative, and cannot provide a highly detailed view of the object from all angles. We recommend a careful physical inspection of the lot before bidding.
57. Galaxy [1959]
1922, Bucureşti - 2012, Paris
Estimate
Pretul de pornire si cel estimat nu sunt preturi de vanzare efective
EUR 10.000 - 16.000
Sold
Pretul de pornire si cel estimat nu sunt preturi de vanzare efective
EUR 22.000
Session
Thu, 25 May 2023 19:00
Brought to you by
The transition from conventional to deeply abstract painting is made in the context of the artist's cultural climate change, in 1946. Following the award he won at the Official Salon in 1942, and with the aid of painter Jean Alexandru Steriadi, who was a deep believer in the young artist's creative force, Horia Damian leaves the Romanian territory, leaving behind his artistic manner he had approached in the country. Therefore, his exit from the national space also represents an exit of the artist's work from everyday life. In Paris, Damian's new approach wins the admiration of some important personalities of the international art scene, amongst which Yves Klein or Salvador Dali. The artist would learn how to use painting as a discourse for decoding the mysteries of human destiny and would take over the role of guide in the attempt to drawing the public's attention towards the things he considers essential. Therefore, he would accomplish the starry skies series, which enjoyed a real success within some important international galleries and museums. His utopic universes, full of mysteries, represented the focal point of cosmogonic cycles, streaked by small, white and shiny dots in an endless juxtaposition, creating that depth that is so characteristic to Damian's work. The current creation is one of the first works opening the large constellations series. The artist uses elements that he had often included in his experiments from the previous decade and works mainly in relief. Therefore, one can distinguish his desire to accomplish a work as immersive as possible.
References
Catalogue of the exhibition "Horia Damian", National Museum of Contemporary Art, September-October 2009. VARIA, Radu, "Horia Damian. Opere din muzeele și colecțiile românești, 1930-1946" ("Horia Damian. Works from Romanian museums and collections, 1930-1946"), Official Journal Publishing House, Bucharest, 2009.
Dimensions
width 220 cm, height 170 cm, custom 170 Ã 220 cm
Description
oil on canvas, signed and dated bottom right, in red, "DAMIAN, (19)59"
Dating
1959
PROVENANCE
colecÈia Philippe Dotremont, Bruxelles; colecÈie privatÄ, Paris
ADDITIONAL INFORMATION
For clarifications regarding the bidding procedure, hammer price costs, guarantee, payment, and collection terms for the winning lot, we recommend carefully reading/re-reading the Bidding Regulations.
For additional information regarding the lot and the auction, please contact the Art Consultants Department.
Detalii
The transition from conventional to deeply abstract painting is made in the context of the artist's cultural climate change, in 1946. Following the award he won at the Official Salon in 1942, and with the aid of painter Jean Alexandru Steriadi, who was a deep believer in the young artist's creative force, Horia Damian leaves the Romanian territory, leaving behind his artistic manner he had approached in the country. Therefore, his exit from the national space also represents an exit of the artist's work from everyday life. In Paris, Damian's new approach wins the admiration of some important personalities of the international art scene, amongst which Yves Klein or Salvador Dali. The artist would learn how to use painting as a discourse for decoding the mysteries of human destiny and would take over the role of guide in the attempt to drawing the public's attention towards the things he considers essential. Therefore, he would accomplish the starry skies series, which enjoyed a real success within some important international galleries and museums. His utopic universes, full of mysteries, represented the focal point of cosmogonic cycles, streaked by small, white and shiny dots in an endless juxtaposition, creating that depth that is so characteristic to Damian's work. The current creation is one of the first works opening the large constellations series. The artist uses elements that he had often included in his experiments from the previous decade and works mainly in relief. Therefore, one can distinguish his desire to accomplish a work as immersive as possible.
ADDITIONAL INFORMATION
For clarifications regarding the bidding procedure, hammer price costs, guarantee, payment, and collection terms for the winning lot, we recommend carefully reading/re-reading the Bidding Regulations.
For additional information regarding the lot and the auction, please contact the Art Consultants Department.
References
Catalogue of the exhibition "Horia Damian", National Museum of Contemporary Art, September-October 2009. VARIA, Radu, "Horia Damian. Opere din muzeele și colecțiile românești, 1930-1946" ("Horia Damian. Works from Romanian museums and collections, 1930-1946"), Official Journal Publishing House, Bucharest, 2009.
Dimensions
width 220 cm, height 170 cm, custom 170 Ã 220 cm
Description
oil on canvas, signed and dated bottom right, in red, "DAMIAN, (19)59"
Dating
1959
PROVENANCE
colecÈia Philippe Dotremont, Bruxelles; colecÈie privatÄ, Paris
Brought to you by
Roxana Scripcaru
Head of the Romanian Postmodern & Contemporary Art Evaluation Office
Similar lots
