Meniu

English

Discover







49. Return from the open sea [1929-1930]

The photos of the lot are informative and indicative, and cannot provide a highly detailed view of the object from all angles. We recommend a careful physical inspection of the lot before bidding.

49. Return from the open sea [1929-1930]

1886, Bârlad - 1940, Bucureşti

Estimate:
EUR 9.000 - 15.000

References

ZAMBACCIAN, Krikor H., "N. Tonitza", State Publishing House for Literature and Art, Bucharest, 1955. COMARNESCU, Petru, "N. N. Tonitza", Youth Publishing House, Bucharest, 1962. TONITZA, Nicolae, "Writings on Art", Meridiane Publishing House, Bucharest, 1964. BREZIANU, Barbu, "Tonitza", Academy of the Socialist Republic of Romania Publishing House, Bucharest, 1967. ȘORBAN, Raoul, "Tonitza", Meridiane Publishing House, Bucharest, 1973. BREZIANU, Barbu, "N. N. Tonitza", Meridiane Publishing House, Bucharest, 1986.

oil on cardboard, 20 x 24.5 cm, Signed upper right, in black, "Tonitza"

Research information

The artwork participated in the retrospective exhibition "N.N. Tonitza," at the Museum of Art of the R.P.R., Bucharest, January-March 1964, and is reproduced in the exhibition catalog under item 197, page 114. The artwork is also reproduced in the album "Tonitza," by Corneliu Baba, published by Meridiane, Bucharest, 1965, under item 95, titled "Fisherman with boat at the seaside." Additionally, the work took part in the National Exhibition of Painting and Graphics Nicolae N. Tonitza, at the Museum of Art of the R.S.R., Bucharest, 1979, and is mentioned in the exhibition catalog under item 169, page 15.

PROVENANCE

Maria and Dr. Nicolae Mihail Historical Collection

If we analyze Tonitza's work from the period 1920-1939 (his mature years), we observe that landscapes were not a constant choice in his imaginary field but vibrated through various cycles either guided by the places he traveled through (Vălenii de Munte, Țara Făgărașului, Mangalia, Constanța, Balcic) or by the feelings experienced by the artist in relation to the subject. Dobrogea represented for Nicolae Tonitza the main space for aesthetic discoveries both in the field of landscape (which he practiced diligently in Mangalia and especially in Balcic) and in compositions with characters – the emergence of his first portraits with an oriental, regional essence. The creative period coinciding with his stays in Mangalia profoundly marked the second half of the 1920s, especially due to its visual specificity and the deep changes that occurred in the painter’s work. Reconsidering the atmosphere through the lens of the typical Dobrogean, zenithal light was the main gain that shaped his pictorial style. Tonitza felt this change most deeply in landscapes because, when distancing himself from the intimacy of proximity (cafés, Tefik’s yard, the streets of Mangalia) or

For clarifications regarding the bidding procedure, hammer price costs, guarantee, payment, and collection terms for the winning lot, we recommend carefully reading/re-reading the Bidding Regulations.

For additional information regarding the lot and the auction, please contact the Art Consultants Department.

SESSION
Tue, 20 October 2026, 19:00

Similar lots

Vestitor

148. Vestitor [2021]

Felix Aftene

    Estimate: EUR 6.000 - 9.000