Roxana Scripcaru
Head of the Romanian Postmodern & Contemporary Art Evaluation Office
The photos of the lot are informative and indicative, and cannot provide a highly detailed view of the object from all angles. We recommend a careful physical inspection of the lot before bidding.
The photos of the lot are informative and indicative, and cannot provide a highly detailed view of the object from all angles. We recommend a careful physical inspection of the lot before bidding.
157. Venetian Landscape
1910, Craiova - 1962, Bucureşti
Estimate
Pretul de pornire si cel estimat nu sunt preturi de vanzare efective
EUR 900 - 1.600
Sold
Pretul de pornire si cel estimat nu sunt preturi de vanzare efective
EUR 1.000
Session
Tue, 20 February 2024 19:00
Brought to you by
In his youth, Ion Țuculescu oscillated for a long time between science and art. He chose to study medicine at the University of Bucharest and painting as an autodidact. He graduated from medicine "magna cum laude" and made his debut as a science teacher. However, the chosen professional path allowed him to continue to dabble in painting. He introduces himself as a painter in 1938, within a personal exhibition organized in the Romanian Athenaeum building. Endowed with the advantages of an autodidact, he conducted free studies, "after nature and after masters", as he himself states. He would use his dual vocation, as a biologist and creator, to transcribe genuine pages of nature onto canvas with the inventiveness of a scholar. He retraced the travels of his predecessors in the Mediterranean East and in the major western capitals, thus recovering the visual material necessary for future artistic experiments. He drew inspiration from Petrașcu, Andreescu or Luchian, but also paused on Van Gogh or Gauguin. His artistic space, infinite and with unusual manifestations, is traversed by artificial luminosity and a brutal chromaticity that became a leitmotif. His ornamental chords are embedded in accents of black, a shade he assimilates from Petrașcu's works. He keeps recognizable fragments of the real space he is inspired by, but modifies them in accordance with his own stimuli. From the rapeseed fields and panoramic views of Romanian villages to the Venetian canals, stone bridges, and colorful buildings of Italy, Ion Țuculescu takes us, through his works, on an indisputable journey around the world. Whether he works in oil, or transposes the city landscape into watercolor, the artist aims at turning the canvas into a visual diary of his own life. Țuculescu remains in the history of Romanian art as the amateur turned professional, with an immeasurable power to revitalize the outdated stylistics of folk art.
References
VLASIU, Ion, "Ion Țuculescu"; Meridiane Publishing House, Bucharest, 1966. COMARNESCU, Petre, "Țuculescu"; Meridiane Publishing House, Bucharest, 1974. CÂRNECI, Magda, "Ion Țuculescu", Meridiane Publishing House, Bucharest, 1984.
Dimensions
width 29 cm, height 23 cm
Description
watercolor on paper
ADDITIONAL INFORMATION
For clarifications regarding the bidding procedure, hammer price costs, guarantee, payment, and collection terms for the winning lot, we recommend carefully reading/re-reading the Bidding Regulations.
For additional information regarding the lot and the auction, please contact the Art Consultants Department.
Detalii
In his youth, Ion Țuculescu oscillated for a long time between science and art. He chose to study medicine at the University of Bucharest and painting as an autodidact. He graduated from medicine "magna cum laude" and made his debut as a science teacher. However, the chosen professional path allowed him to continue to dabble in painting. He introduces himself as a painter in 1938, within a personal exhibition organized in the Romanian Athenaeum building. Endowed with the advantages of an autodidact, he conducted free studies, "after nature and after masters", as he himself states. He would use his dual vocation, as a biologist and creator, to transcribe genuine pages of nature onto canvas with the inventiveness of a scholar. He retraced the travels of his predecessors in the Mediterranean East and in the major western capitals, thus recovering the visual material necessary for future artistic experiments. He drew inspiration from Petrașcu, Andreescu or Luchian, but also paused on Van Gogh or Gauguin. His artistic space, infinite and with unusual manifestations, is traversed by artificial luminosity and a brutal chromaticity that became a leitmotif. His ornamental chords are embedded in accents of black, a shade he assimilates from Petrașcu's works. He keeps recognizable fragments of the real space he is inspired by, but modifies them in accordance with his own stimuli. From the rapeseed fields and panoramic views of Romanian villages to the Venetian canals, stone bridges, and colorful buildings of Italy, Ion Țuculescu takes us, through his works, on an indisputable journey around the world. Whether he works in oil, or transposes the city landscape into watercolor, the artist aims at turning the canvas into a visual diary of his own life. Țuculescu remains in the history of Romanian art as the amateur turned professional, with an immeasurable power to revitalize the outdated stylistics of folk art.
ADDITIONAL INFORMATION
For clarifications regarding the bidding procedure, hammer price costs, guarantee, payment, and collection terms for the winning lot, we recommend carefully reading/re-reading the Bidding Regulations.
For additional information regarding the lot and the auction, please contact the Art Consultants Department.
References
VLASIU, Ion, "Ion Țuculescu"; Meridiane Publishing House, Bucharest, 1966. COMARNESCU, Petre, "Țuculescu"; Meridiane Publishing House, Bucharest, 1974. CÂRNECI, Magda, "Ion Țuculescu", Meridiane Publishing House, Bucharest, 1984.
Dimensions
width 29 cm, height 23 cm
Description
watercolor on paper
Brought to you by
Roxana Scripcaru
Head of the Romanian Postmodern & Contemporary Art Evaluation Office
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