64. Nude with Fan (Lucretia) [1930]
Procjena
EUR 25.000 - 45.000
Prodano
EUR 31.000
Sesija
Uto., 24 ožujka 2026 18:00
Dimenzije
width 92.5 cm, height 52 cm
Opis
oil on canvas, signed and dated lower right, in red, "G. Petrașcu, (1)930"
Informacije o istraživanju
The artwork was part of the personal exhibition Gheorghe Petrașcu, March 18 - April 14, 1936, Dalles Hall, Bucharest and is mentioned in the exhibition catalog at cat. 78. The artwork is reproduced in the monograph "Gheorghe Petrașcu", Ionel Jianu, Bucharest, "King Michael I" Royal Foundation, 1945 at cat. 31. The artwork is reproduced in the monograph "Gheorghe Petrașcu", Krikor Zambaccian, Cartea Românească, 1945 at cat. XXVIII. The artwork is reproduced in "Gheorghe Petrașcu", Eleonora Costescu, Ed. Meridiane, Bucharest, 1975, on page 135.
Izlasci
1930
PODRIJETLO
Historical collection of Eng. Leon Laserson (1887 - 1946). Leon Laserson, a Latvian Jew born in Riga, became one of the biggest industrialists in the oil industry during the interwar period - he settled in Romania in 1919. He was an engineer at "Concordia" - Moreni, then at the oil company "Steaua Română", from 1938 opening, along with his brother, an oil machinery import company - a biography that justifies the financial status of one of the wealthiest collectors of the 4th and 5th decades. Laserson acquired an impressive number of works of his contemporaries, Petrașcu, Iser, Pallady, Ciucurencu, during 1930 - 1945, his collection becoming "possibly the most ambitious in plastic value of everything we have in Bucharest today (1945)" - stated Corneliu Baba. The collector will come into contact with the works of Theodor Pallady as soon as the painter returned permanently to Romania - 1939, being advised by the art critic Ionel Jianu, becoming both a large collector of Pallady, as well as a close friend; old Romanian private collection, Czech Republic.
DODATNE INFORMACIJE
Za pojašnjenja u vezi s postupkom licitiranja, troškovima kupnje, uvjetima jamstva, plaćanja i preuzimanja osvojenog lota preporučujemo da pažljivo pročitate/ponovno pročitate Pravilnik o licitiranju.
Za dodatne informacije o lotu i aukciji kontaktirajte Odjel umjetničkih savjetnika.
DODATNE INFORMACIJE
Za pojašnjenja u vezi s postupkom licitiranja, troškovima kupnje, uvjetima jamstva, plaćanja i preuzimanja osvojenog lota preporučujemo da pažljivo pročitate/ponovno pročitate Pravilnik o licitiranju.
Za dodatne informacije o lotu i aukciji kontaktirajte Odjel umjetničkih savjetnika.
Dimenzije
width 92.5 cm, height 52 cm
Opis
oil on canvas, signed and dated lower right, in red, "G. Petrașcu, (1)930"
Informacije o istraživanju
The artwork was part of the personal exhibition Gheorghe Petrașcu, March 18 - April 14, 1936, Dalles Hall, Bucharest and is mentioned in the exhibition catalog at cat. 78. The artwork is reproduced in the monograph "Gheorghe Petrașcu", Ionel Jianu, Bucharest, "King Michael I" Royal Foundation, 1945 at cat. 31. The artwork is reproduced in the monograph "Gheorghe Petrașcu", Krikor Zambaccian, Cartea Românească, 1945 at cat. XXVIII. The artwork is reproduced in "Gheorghe Petrașcu", Eleonora Costescu, Ed. Meridiane, Bucharest, 1975, on page 135.
Izlasci
1930
PODRIJETLO
Historical collection of Eng. Leon Laserson (1887 - 1946). Leon Laserson, a Latvian Jew born in Riga, became one of the biggest industrialists in the oil industry during the interwar period - he settled in Romania in 1919. He was an engineer at "Concordia" - Moreni, then at the oil company "Steaua Română", from 1938 opening, along with his brother, an oil machinery import company - a biography that justifies the financial status of one of the wealthiest collectors of the 4th and 5th decades. Laserson acquired an impressive number of works of his contemporaries, Petrașcu, Iser, Pallady, Ciucurencu, during 1930 - 1945, his collection becoming "possibly the most ambitious in plastic value of everything we have in Bucharest today (1945)" - stated Corneliu Baba. The collector will come into contact with the works of Theodor Pallady as soon as the painter returned permanently to Romania - 1939, being advised by the art critic Ionel Jianu, becoming both a large collector of Pallady, as well as a close friend; old Romanian private collection, Czech Republic.
