Fotografije parcele su informativne i indikativne te ne mogu pružiti vrlo detaljan prikaz objekta iz svih kutova. Preporučujemo pažljiv fizički pregled parcele prije licitiranja.
Fotografije parcele su informativne i indikativne te ne mogu pružiti vrlo detaljan prikaz objekta iz svih kutova. Preporučujemo pažljiv fizički pregled parcele prije licitiranja.
3. Imperial Icon on wood, "Saint Nicholas", Moldovan school, era of Jeremiah Movila, second half of the 16th century, extremely rare piece
Početna cijena
Pretul de pornire si cel estimat nu sunt preturi de vanzare efective
EUR 5.000
Sesija
Sri., 16 travnja 2025 19:00
Iconographic and stylistic identification elements: Against the yellow-ochre background of the icon, the figure of Saint Nicholas stands out, depicted midway downwards, presented frontally. He is blessing with his right hand, and with his veiled left hand he holds the Gospel, painted in blue and decorated with stylized flowers (rosettes). The phelonion is white, painted flatly, with folds made of ochre (partially erased), schematically rendered, but with skill. The omophorion is painted red, and the blue sticharion has folds traced with dark blue for shadows and white for highlights. Around his head he wears a red halo, decorated with white stylized flowers. On the right and left of Saint Nicholas' head, Jesus Christ, who offers him the Gospel, and the Virgin Mary, who offers him the omophorion (a reference to an episode from the Council of Nicaea, 325), are depicted in small size. The elongated oval of the face, the large eyes painted in black, the thick eyebrows and the grizzled beard are graphically executed. The face, painted in white-ochre, is modelled with pink and light grey shading. The chromatics, dominated by white, golden yellow, red and blue, are flatly applied, undervalued, offering the icon a notable decorative accent, reflecting the influence of Russian painting on Moldovan painting, in the 16th century. Inscriptions with elongated red letters in Old Church Slavonic, represent a characteristic of Moldovan painting of the period. The painting of the faces with sharp transitions from light to shadow, the graphic contours achieved with thick strokes and a certain schematization confer the painting with popular notes.
Technical identification elements: The painting was made in tempera, on a uniform priming base, the ocher-gold background, and the back of the icon is covered with a thin priming layer.
Conclusions: The icon is an authentic work of the Moldovan painting school, dating from the second half of the 16th century, also revealing some stylistic peculiarities compared to other creations of the genre (A.D.).
Dimenzije
width 39 cm, height 57.5 cm
Opis
tempera on wood
DODATNE INFORMACIJE
Za pojašnjenja u vezi s postupkom licitiranja, troškovima kupnje, uvjetima jamstva, plaćanja i preuzimanja osvojenog lota preporučujemo da pažljivo pročitate/ponovno pročitate Pravilnik o licitiranju.
Za dodatne informacije o lotu i aukciji kontaktirajte Odjel umjetničkih savjetnika.
Detalii
Iconographic and stylistic identification elements: Against the yellow-ochre background of the icon, the figure of Saint Nicholas stands out, depicted midway downwards, presented frontally. He is blessing with his right hand, and with his veiled left hand he holds the Gospel, painted in blue and decorated with stylized flowers (rosettes). The phelonion is white, painted flatly, with folds made of ochre (partially erased), schematically rendered, but with skill. The omophorion is painted red, and the blue sticharion has folds traced with dark blue for shadows and white for highlights. Around his head he wears a red halo, decorated with white stylized flowers. On the right and left of Saint Nicholas' head, Jesus Christ, who offers him the Gospel, and the Virgin Mary, who offers him the omophorion (a reference to an episode from the Council of Nicaea, 325), are depicted in small size. The elongated oval of the face, the large eyes painted in black, the thick eyebrows and the grizzled beard are graphically executed. The face, painted in white-ochre, is modelled with pink and light grey shading. The chromatics, dominated by white, golden yellow, red and blue, are flatly applied, undervalued, offering the icon a notable decorative accent, reflecting the influence of Russian painting on Moldovan painting, in the 16th century. Inscriptions with elongated red letters in Old Church Slavonic, represent a characteristic of Moldovan painting of the period. The painting of the faces with sharp transitions from light to shadow, the graphic contours achieved with thick strokes and a certain schematization confer the painting with popular notes.
Technical identification elements: The painting was made in tempera, on a uniform priming base, the ocher-gold background, and the back of the icon is covered with a thin priming layer.
Conclusions: The icon is an authentic work of the Moldovan painting school, dating from the second half of the 16th century, also revealing some stylistic peculiarities compared to other creations of the genre (A.D.).
DODATNE INFORMACIJE
Za pojašnjenja u vezi s postupkom licitiranja, troškovima kupnje, uvjetima jamstva, plaćanja i preuzimanja osvojenog lota preporučujemo da pažljivo pročitate/ponovno pročitate Pravilnik o licitiranju.
Za dodatne informacije o lotu i aukciji kontaktirajte Odjel umjetničkih savjetnika.
Alternativni lotovi
57. Icon on wood, "The Birth of the Virgin Mary", Romanian school, first half of the 19th century
Prodajna cijena
EUR 1.500
41. Double Icon Feast, "Saint Panteleimon" and "Transfiguration", Transylvanian school, end of the 18th-beginning of the 19th century
Početna cijena
EUR 100
Prodano
EUR 300