Fotografije parcele su informativne i indikativne te ne mogu pružiti vrlo detaljan prikaz objekta iz svih kutova. Preporučujemo pažljiv fizički pregled parcele prije licitiranja.
Fotografije parcele su informativne i indikativne te ne mogu pružiti vrlo detaljan prikaz objekta iz svih kutova. Preporučujemo pažljiv fizički pregled parcele prije licitiranja.
46. Icon on wood, "Saint George killing the dragon", Greek school, end of the 17th century-beginning of the 18th century
Početna cijena
Pretul de pornire si cel estimat nu sunt preturi de vanzare efective
EUR 1.800
Prodano
Pretul de pornire si cel estimat nu sunt preturi de vanzare efective
EUR 2.750
Sesija
Sri., 16 travnja 2025 19:00
Iconographic and stylistic identification elements: On the blue background of the icon at the top and with a landscape at the bottom, the painter depicts the consecrated scene: "Saint George killing the dragon." At the center of the composition, Saint George, riding a white horse (modeled in shades of bluish gray), with a forward movement, pierces the winged dragon at his horse's feet. In front of him appears the fortress with the Emperor and Empress, who witness the scene, and next to the fortress is their daughter - the princess, who was to be sacrificed, terrified at the appearance of the dragon and saved from death by Saint George, symbolizing that good always overcomes evil. Above, in the open sky, appears the angel of the Lord, with his hands stretched towards Saint George (in other representations he crowns him, illustrating this gesture his quality of "bearer of victory"). The episode of saving from slavery a young man, depicted on horseback, behind Saint George and portrayed as he was serving at that moment at the table (in hand with a carafe and a napkin), also fits among the miracles in which Saint George defeats evil. The vibrant color, with red and blue dominance, in several shades, the typology of the character and the characters of the inscription are specific features of Greek icons from this period.
Technical identification elements: The icon is made on a wooden panel, painted in tempera, according to traditional techniques. Decorative details, such as the background and inscriptions, were applied with gold foil, respecting the iconographic norms of the period.
Conclusions: The narrative accent and some minor compositional awkwardness indicate that the icon painting falls towards the end of the 17th century and the beginning of the 18th century, a time when the influence of Greek painting penetrated in Wallachia (Brâncovenesc period), reflecting a syncretism between oriental tradition and western elements (A.D.).
Dimenzije
width 43 cm, height 58 cm
Opis
tempera and gold foil on wood
DODATNE INFORMACIJE
Za pojašnjenja u vezi s postupkom licitiranja, troškovima kupnje, uvjetima jamstva, plaćanja i preuzimanja osvojenog lota preporučujemo da pažljivo pročitate/ponovno pročitate Pravilnik o licitiranju.
Za dodatne informacije o lotu i aukciji kontaktirajte Odjel umjetničkih savjetnika.
Detalii
Iconographic and stylistic identification elements: On the blue background of the icon at the top and with a landscape at the bottom, the painter depicts the consecrated scene: "Saint George killing the dragon." At the center of the composition, Saint George, riding a white horse (modeled in shades of bluish gray), with a forward movement, pierces the winged dragon at his horse's feet. In front of him appears the fortress with the Emperor and Empress, who witness the scene, and next to the fortress is their daughter - the princess, who was to be sacrificed, terrified at the appearance of the dragon and saved from death by Saint George, symbolizing that good always overcomes evil. Above, in the open sky, appears the angel of the Lord, with his hands stretched towards Saint George (in other representations he crowns him, illustrating this gesture his quality of "bearer of victory"). The episode of saving from slavery a young man, depicted on horseback, behind Saint George and portrayed as he was serving at that moment at the table (in hand with a carafe and a napkin), also fits among the miracles in which Saint George defeats evil. The vibrant color, with red and blue dominance, in several shades, the typology of the character and the characters of the inscription are specific features of Greek icons from this period.
Technical identification elements: The icon is made on a wooden panel, painted in tempera, according to traditional techniques. Decorative details, such as the background and inscriptions, were applied with gold foil, respecting the iconographic norms of the period.
Conclusions: The narrative accent and some minor compositional awkwardness indicate that the icon painting falls towards the end of the 17th century and the beginning of the 18th century, a time when the influence of Greek painting penetrated in Wallachia (Brâncovenesc period), reflecting a syncretism between oriental tradition and western elements (A.D.).
DODATNE INFORMACIJE
Za pojašnjenja u vezi s postupkom licitiranja, troškovima kupnje, uvjetima jamstva, plaćanja i preuzimanja osvojenog lota preporučujemo da pažljivo pročitate/ponovno pročitate Pravilnik o licitiranju.
Za dodatne informacije o lotu i aukciji kontaktirajte Odjel umjetničkih savjetnika.
Alternativni lotovi
73. Table Cross, "Crucified Jesus", Transylvanian Workshop, end of 19th Century
Početna cijena
EUR 200
Prodano
EUR 700
99. Icon on glass, "Jesus the True Vine", workshop from Șcheii Brașovului, second half of the 19th century
Početna cijena
EUR 400
Prodano
EUR 400